Seidur

Matilda, 18, vegan, nemophilist, body
modifications devotee, LGBT supporter. Feminist






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Posted on Saturday, 18 May 2013.

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“This stunning sculpture by Liu Qiang is an accurate depiction of humanity’s use of, and utter dependence on other animals and, in particular, the savage and bizarre habit of consuming the breast milk from mothers of other species—milk that these mothers have produced for their own babies, babies that we forced them to become pregnant with only to kill shortly after birth so that we can take the bereft mother’s milk, milk that we drink as though we were the children that we murdered.”
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sapta-loka:

From Christiania
Klaus Thymann
3,904 notes

Posted on Saturday, 18 May 2013.

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If there is a God, He will have to beg my forgiveness.
Jewish prisoner,
carved on the walls of a concentration camp cell during WWII (via akumamatata)

(Source: notclarissa)

Posted on Saturday, 18 May with 111,845 notes.
17,779 notes

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Greek myrtle wreath, c. 330-250 BC.

In ancient Greece, wreaths made from plants like laurel, ivy, and myrtle were awarded to athletes, soldiers, and royalty. Similar wreaths were designed in gold and silver for the same purposes or for religious functions. This example conveys the language of love.
A plant sacred to the goddess Aphrodite, myrtle was a symbol of love. Greeks wore wreaths made of real myrtle leaves at weddings and banquets, received them as athletic prizes and awards for military victories, and wore them as crowns to show royal status. 
By the Hellenistic period (300-30 BC), the wreaths were made of gold foil; too fragile to be worn, they were created primarily to be buried with the dead as symbols of life’s victories. The naturalistic myrtle leaves and blossoms on this wreath were cut from thin sheets of gold, exquisitely finished with stamped and incised details, and then wired onto the stems. Most that survive today were found in graves.
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curtybird:

Ariana Papademetropoulos